The Balenciaga Fashion Exhibit


“Clothes were his religion,” French couturier Christian Dior said of his Spanish confrere Cristóbal Balenciaga. That is evident in the poetic exhibition “Balenciaga: Working in Black” at the Musée Bourdelle in Paris through July 16—one of two major museum shows this year celebrating the 100th anniversary of the fabled Parisian fashion brand. The second, “Balenciaga: Shaping Fashion,” opens at the Victoria & Albert Museum in London in late May.

The choice of black as the exhibition’s curatorial device makes sense. Black is deeply Spanish. It shows off Balenciaga’s clean lines and sculptural proportions in the silhouettes he invented: the barrel line in 1947, the balloon in 1950, the semi-fitted suit in 1951, the tunic dress in 1955, and the sack dress in 1957. And, most important, Balenciaga preferred to work in black, seeing it not as a neutral but a complex palette in varied textures such chiffon, lace, taffeta, organza, and gazar—a fabric developed for Balenciaga by Swiss textile designer Gustav Zumsteg in 1958. Even the toiles, made of ecru muslin at every other couture house, were black chez Balenciaga. At times, Balenciaga’s black could be “so black that it hits you like a blow,” Harper’s Bazaar wrote in 1938, one year after his first show in Paris. “Thick Spanish black, almost velvety, a night without stars, which makes the ordinary black seem almost grey.”


Current Balenciaga designer Demna Gvasalia understands this. For his Fall-Winter 2017 women’s wear show in Paris earlier this month, he dove deep into the house archives and produced nine modern takes on iconic Balenciaga looks, including two in black: a voluminous tulle gown pulled in as poufs at bust, waist, hip and knee by black ribbon, and a black velvet column tied off at the waist with an enormous taffeta bow. The homage was a smart and timely business move. But Gvasalia’s deference does seem sincere. Above his desk hangs a portrait of Balenciaga. “He watches over me but in a good way,” the Tbilisi-born designer told Women’s Wear Daily. “It’s about respect.”




Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s